|
Momentous Arts Singapore 20 Amoy Street, Singapore 069855 Tel : +65 65353961 HP: +65 96413235 Email : mmtous@singnet.com.sg |
|
 |
||
|
||||||||||||||
 |
||||||||||||||
|
|||||||||||||||||
|
|||||||||||||||||
|
|
|---|
|
|
|
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
|---|
|
Korean artist Choi Jae IL creates glazed ceramic tile work as if they were paintings.
His unique tile art are influenced by Op Art of the 60's. The illusionary colour influenced one's way of perception and challenge viewers visual perception of his artworks.
Bands of colour and elements weave and change their appearances according to the viewer perspective.and where he stands.
Their illusionistic surface and construction invites a visual investigation on the part of the viewer.
|
News:
Congratulations to Ricky V. Ambagan for winning the Grand Prize of the 2011 GSIS Art Competition (representational category). The work is now in the GSIS Museum Collection.
"Kay Liwanag ng Bukas"
|
 See other Paintings by Ricky V. Ambagan |
||
 |
 |
|
|
|
|||
Alter Ego |
Lovers II |
|
|
Rene Robles In the 1950's there was abstract expressionism. In the 1960's there was pop art, and from 1970 to the present, a steadfastly growing diversity in art has developed. What all these developments have in common is that they reflect developments in their societies. Art is not static, it continually seeks a new way of visual expression. In the 1950's and 60's artists followed particular stylistic disciplines and their results were distinct. In the last three decades, however, diversity destroyed every form of discipline. Artists use recycled materials and can go back and forth in time from the ancient period to the present for their subject mode which can mutate or combine with others, resulting in a different art form. - Written by M. Teresa Rodriguez, Art Historian |
|
|||||
| Pete Jimenez - The Entertainery He sees the potential of found objects (iron in this case), pick the pieces that he likes, bring them back where he hammer and weld them in his garage. Filipino sculptor Pete Jimenez would reconfigured the metals with humor and imagination, smacked with eccentricity.
Sculptures by Pete Jimenez |
|
Dragica Milunovic It's quite exciting when you're knocked out by the visual impact of a painting. That's just the kind of effect we've come to expect from Dragica Milunovic's work and she certainly doesn't let us down in this exhibition. Here she offers a collection of fourteen works, ranging in size from 150 cm square to 5 cm square, each composed of cross-hatched lines made by the point of a small brush dipped in tints and tones of a single colour.
- From a 2007 exhibition review (partial) by Judith McGrath. |
|
Marks Series 3, (No 53)